Wednesday, October 16, 2013

Symbolism in the Old West Story

By Michael T. Pizzolato

A symbol is an object in a story that represents itself along with a thought or emotion that we may sense or feel when we see the object. In any story, symbols are important because they can lend subconscious sentiment or emotion to a scene or story.

Symbols vary from culture to culture, but in the Old West story, symbolism is American as well as Native American.

Here are some symbols and their meanings along with some examples from western stories, which you may find helpful in your short story, novel or screenplay:

Rocks and mountains in a story can represent obstacles and difficulties. Set in Gold Rush California, the short story The Outcasts of Poker Flats by Bret Harte is about so-called “undesirables” who have been expelled from an Old West town and must make a journey over the mountains that represent the arduous tasks ahead replete with danger.

In the novel Double Crossing by Meg Mims, the Rocky Mountains and the Sierras symbolize the sizeable trials and difficulties ahead that will include the heroine being pushed off a railroad trestle, nearly pushed from a train as well as fighting for her life on mining hillside as she tracks down her father’s murderer.

In the movie Shane, as the young boy cries out to the severely wounded main character, Shane heads off into the mountains that represent the final obstacle of Shane’s own eventual death.

In Native American culture, however, the mountain can represent a journey or a spiritual connection with nature. In The Outlaw Josey Wales, as Josey talks with Chief Ten Bears, notice the mountain range behind Wales as he speaks spiritual truths to the chief. The domestic scene of the Indian village behind the chief symbolizes the land as the Indians home. Blood exchanged by knife cuts on each man’s hand represents not only brotherhood but blood as a powerful symbol of purification and redemption, perhaps a foreshadowing of the movie’s ending when the wounded Josey bleeds onto his own boot before saying to the forgiving and reluctant villain Fletcher, “I guess we all died a little in that damn war.” Again, the mountain, this time larger and closer, is behind Josey in the ending as he converses with Fletcher and then rides off into those mountains and into the sunset, another symbol we’ll discuss shortly.

The sun can be a symbol of giving or taking life, depending on how it’s portrayed. The sun can break through and show brighter days, or it can be boiling hot and deadly if lost in the desert as in the western movie Seraphim Falls.

The sunset is a symbol for death and often for story endings. Though it has been used countless times in western movies and novels, readers never seem to tire of the age-old symbol of the sun setting on the cowboy riding or walking off into the sunset. 

In The Searchers, the sunset symbol is both an ending as well as a death, as Ethan turns from the closing door and walks off into the sunset, estranged to a spiritual death away from the family he worked so hard to unify.

Animals can also be symbols. In Dances with Wolves, the wolf is analogous to a dog, and a dog in American culture (Fido=Fidelity/Faith) represents faith. When the wolf is killed, it demonstrates how Dunbar’s faith is now tested and will be shaken by the events to come. But the same symbol can mean something different in another culture. To the Indian culture, the wolf represents a medicine of courage, strength and loyalty, and so they name Dunbar “Dances with Wolves” who will courageously leave his American culture for the Native American way of life.

Symbols are important to any story. There are many more than presented here, and symbols are not universal, that is, they are different for each culture. However, in western stories, symbols will generally represent American and Native American values.

More importantly, symbolism can add subconscious emotional power, not only to a scene but also to the story itself.

-More on symbolism in a future post.


Mike Pizzolato is the Associate Editor, Art Director and Facebook Coordinator of The Western Online.

Thursday, September 12, 2013

Drawing Tips

By Michael T. Pizzolato
Associate Editor and Art Director

Draw every day. Practice makes perfect in anything. If you don’t have a lot of time, draw something, even if it’s on a sheet of loose-leaf paper that will find its way to the waste can. Draw and sketch a face, a horse a cow, a cartoon, anything. Just get your pencil busy and get in practice.

Study anatomy. You don’t need a medical knowledge of anatomy, but learn what muscles look like underneath the skin. Learn some bone and muscle basics. Protruding muscles are where you’ll place small definition lines on the skin that will help the drawing look authentic. Muscles underneath shape the outer edges of the anatomy as well. Faces are also anatomy, so learn where all the parts-eyes, ears, nose, etc.-go when you draw them in.

Let 3-D construction lines guide your work. If you draw a horse, for example, make a 3-barrel for the chest and sketch around that. The same goes for the horse’s legs-make 3-D cylinders and draw them in as well. Also, make use of references. If you’re drawing a horse or a person, you need to know what one looks like in detail, so this means having an image of one on your table as you draw. After a while, you will reach a point where little or no reference is needed. The same holds true for the human body, where torsos, legs and faces are made with a series of blocks and planes that after you learn them, will require less and less reference over time.

Understand one-point and two point perspective. There are many books and web sites out there on this often difficult and confusing topic. You can grasp 3-point perspective later, but one and two-point perspective are the most important. One point is like you’re looking down a long hallway to where the ceiling and floor of the hallway come to a single point. For two-point, think of a small box rotated to where the edge is facing the viewer. Now tilt the box upward or downward. Let’s say a downward tilt for our purposes where you see over the top of the box. If you follow the parallel box edges, the top of that box actually forms two long hallways, one ending on a point far over to the right and the other far over to the left side of the drawing. Those two points are on a straight line above the box called the horizon line (or ground line). Here is a link that may clarify things a bit better: Two Point Perspective

And when you create the lightly drawn perspective lines (to be erased later), this is the space where your drawing of people, horses, cows, etc., will go.
  
Use drawing manuals, online resources and even art classes to help you get better. There are many excellent books out there on how to draw as well as many online resources. More importantly, if the local university’s adult education department is offering a drawing course, take it.  They are usually fairly inexpensive and fun. There‘s no substitute for face-to-face training and learning.


Dance to your own music.  Make no apologies for your work and fear no one’s opinion. The special thing about your art is that no one else in the world can replicate it. It is a unique and special creation from your own God-given talent. Your artwork will speak to some people and not so much to others. You can always weigh whether or not criticism is valid and worthy of your making a change, but don’t let that stop you from making more art. The best advice I can give any artist is to make art every day without fail.

Check out some of artwork featured at The Western Online.

Friday, September 6, 2013

My Favorite Western Writer

By Matthew Pizzolato

My absolute favorite writer in any genre is by far Louis L'Amour. I've written many times about why I admire both him and his writing.  I own everything he published and have read all of his book numerous times.  He was an influence not only on my writing but on my life as well.

I found this video of a 60 Minutes interview done with him that I'd never seen before and felt compelled to share it.



What writer has influenced you the most?

Monday, September 2, 2013

Increase Your Publication Chances

The best way to put the odds in your favor when submitting to any publication is to read the Submissions Guidelines for that magazine.  It's amazing how many people fail to do that.  Sometimes guidelines can seem tedious, but they are always there for a reason.

For example, The Western Online only publishes Western fiction, articles or artwork.  Yet we constantly get fiction submissions that aren't even Western stories.

The next step is to make sure your writing is good.  The best way to do that is to follow the advice of the great Elmore Leonard.  Numbers three and four are especially important as they are by far the most noticeable.


Tuesday, April 17, 2012

New Short Stories at The Western Online!

We've published several new short stories recently. Stop by the site and stay a spell!

A Woman of Certain Age by Sierra Mackenzie

Leavin' Clean by Jim Lescher

Chesetopah the Sword Bearer by Gary Every

The Hat on the Bed by J. R. Lindermuth

Montana is Big by Mark Hinton



Stop by the Fiction section of the site for More Short Stories....

Thursday, December 1, 2011

Coming Soon to The Western Online!

Episode 5 of our Western comic strip, Jud Nelson - Texas Ranger is currently in the works and will be coming soon. It will bring the story "Vengeance Trail" to a conclusion.

However, Jud Nelson won't be going anywhere. When he reaches the end of the "Vengeance Trail," he will be appearing in a new comic strip story, "Gone But Not Forgotten."

We will be adding some new items to The Western Online Mercantile in the coming few days, just in time for Christmas shopping. All proceeds from the store go to pay our contributors.

Thanks for supporting The Western Online and I hope you enjoy our latest updates.

Keep Your Powder Dry,
Matthew Pizzolato

New Western Fiction!

Two new short stories were published today:

"No Place to Run" is a story that will keep you guessing until the end and "Doc's Warning" is a fictionalized account of a report given by Wyatt Earp of an incident that took place in Fort Griffin, Texas between Doc Holliday and Ed Bailey.

There is also a new historical article:

Annie Oakley by Janett L. Grady.

A new installment of our serialized novella, The Call Chronicles: Black Hawk Showdown by Kathi Sprayberry.